Philistines at the Hedgerow Read online

  Philistines at the Hedgerow

  Passion and Property in the Hamptons

  STEVEN GAINES

  Copyright

  Copyright © 1998 by Steven Gaines

  Cover design by Michael Ian Kaye

  Cover photograph by Mattie Edwards Hewitt, courtesy of Nassau County Museum Collection, Long Island Studies Institute

  Cover copyright © 1998 by Hachette Book Group, Inc.

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  ISBN 978-0-316-49027-6

  E3-20180714-JV-PC

  Contents

  Cover

  Title Page

  Copyright

  Dedication

  Epigraph

  The Pasha

  Dr. Watson

  Lord of the Manor

  Gardiner’s Island

  The Creeks

  Ossorio

  Dragon

  The Squire

  Gates of the Grove

  Beaches of Mammon

  Philistines at the Hedgerow

  Ocean Castle

  Dragon’s Head

  The Pumpkin Prosecution

  Fourth of July

  Photographs

  Acknowledgments

  About the Author

  Also by Steven Gaines

  Newsletters

  For Lynn and Bob

  “Mid pleasures and palaces tho we may roam, Be it ever so humble there’s no place like home.”

  —From “Home Sweet Home,” John Howard Payne, 1823, the song he wrote about his boyhood home on Main Street, East Hampton

  The Pasha

  ONE FRIDAY NIGHT in December 1991, while dining at the home of Bruce Cotter, a retired East Hampton police lieutenant, real estate magnate Allan M. Schneider began to choke on a piece of rare sirloin steak lodged in his windpipe.

  Schneider, fifty-four, was the most powerful broker in all the Hamptons—“the Pasha,” as he was affectionately called by his staff—with offices in Southampton, Bridgehampton, Sag Harbor, and East Hampton and revenues approaching $100 million. His empire had grown even larger that morning when he closed a deal to acquire a fifth office, in Amagansett. The new office, plus the imposing Allan M. Schneider Agency headquarters he was erecting along the highway in Bridgehampton, would seal his domination in the Hamptons real estate market.

  Shortly after signing the papers at the lawyer’s office, Schneider started to drink—first with celebratory champagne, then a three-martini lunch at Gordon’s restaurant—and he hadn’t really quit since. Earlier in the day he had called his secretary, Rochelle Rosenberg, who gave him his messages and said, “I’ll see you on Monday, Allan.”

  Allan answered playfully, “Maybe you will, maybe you won’t.”

  The Cotters, one of the many local families with whom Schneider was close, had invited him over for a steak dinner to mark the occasion and, they hoped, sober him up. It was Schneider’s hallmark that he was friendly not only with the wealthy Summer Colony but with the hoi polloi, the farmers and tradesmen who were the “real people” of the town. He had met Cotter soon after arriving in the Hamptons in 1968, when the lieutenant had pulled him over on Montauk Highway for a traffic infraction. Allan stunned the policeman by inviting him home for a drink. Cotter indignantly declined, but over the years Allan became a good friend to Cotter and his wife, Carol Lynn. When Cotter retired from the force, Schneider invited him to sell real estate for the firm, where he became a valued employee.

  That December night at Cotter’s house, Allan was cutting pieces of steak and shoving them into his mouth, several at a time, chewing and talking, very drunk and red in the face, when a chunk of meat got caught in his throat and he couldn’t swallow or speak. Cotter, who was trained in the Heimlich maneuver, calmly walked around behind Schneider’s chair and pulled the short, corpulent real estate broker to his feet. Then he clasped his hands around Schneider’s girth and with a mighty tug pulled upward. The steak dislodged with dramatic force, shooting ten feet across the room. Schneider gasped for air and sank into his chair, his blue blazer and starched white shirt askew. He loosened the striped rep Princeton tie at his neck and looked ashamed.

  “I’m so embarrassed,” he said, uncharacteristically meek. He managed a wan smile to his dinner companions, showing small, ivory-colored teeth. “I’m so sorry,” he repeated, looking blankly at the table in front of him. For a moment there wasn’t a sound in the room. Then Allan pitched over to the side and hit the floor with such a thud, the walls shook.

  2

  ALLAN SCHNEIDER was a balding man with a cherubic face and the aristocratic bearing of an Edwardian lord. Princeton-educated, of good Protestant and German stock, a member of the Vanderbilt Club, he had his name and social credentials listed every year in the Blue Book, a privately published social register sold under the counter at Book Hampton to “our crowd.” He owned a historical mansion in East Hampton, a cooperative apartment at Forty Central Park South in Manhattan, and an eight-bedroom retreat at Dark Harbor, Maine, one of New England’s most exclusive resorts. He was also a trustee of the East Hampton Historical Society and a member of the board of directors of Guild Hall. He wore, proudly, his family crest on his pinkie ring, on the breast pocket of his dinner jacket, and on the vamp of his black velvet evening pumps.

  Like all brilliant salesmen, he was charismatic, an engaging conversationalist who enjoyed meeting people. Nevertheless, there was something in his small, deep-set eyes that was coolly assessing. He was a keen judge, of value and of character. His “reading” of people, as he would put it, was his greatest gift in the real estate business. “I understand people,” he was fond of saying. “I know what people want. I know about people.” About rich people especially. He was fascinated by the wealthy, by who they were and what they liked and how they lived. He loved elegance and possessions; most of all, he loved houses.

  You could see it in the way he showed houses to his clients, in the relish he took in the home’s location or in some obscure architectural detail, like the “scuttlehole” trapdoor in the roof through which the occupants scurried to put out chimney fires. He knew everything about houses, from how foundations were poured to the way ceramic roof tiles were baked. He didn’t just know who McKim, Mead and White were, he knew which of their houses had historical importance and which were considered, in his words, “trash.” He also knew the modern masters personally—Gwathmey, Futterman, and Jaffe. Late at night, over an Armagnac, he talked wistfully about parcels of land and great beach cottages like an aging lothario recalling lost passions.

  H
is love of business, mixed with a quick mind and a charming but superior attitude, gave him the golden touch in Hamptons real estate. For more than twenty years he ruled the market, becoming famous for listing the choicest homes with the most exclusive clientele. Schneider’s firm made some of the flashiest sales in the history of Hamptons real estate. It was the driving force behind the sale of the $6 million acreage for the new Atlantic Golf Club and was the agency that sold Calvin Klein his house for $6 million. His firm twice handled the sale of Toad Hall, the soaring glass-and-steel Charles Gwathmey—designed structure with a two-story greenhouse on Further Lane in East Hampton: once when Texas art collector Francois de Menil sold the house to Seagram scion Edgar Bronfman Jr. for $7.5 million, and a second time when Bronfman sold the house to art dealer Larry Gagosian for $8.5 million.

  Schneider had the authority to pull off some breathtaking deals. “When I started asking people who was the best,” said Mickey Schulhof, then vice-chairman of Sony in America, who was shopping for a house, “his name was at the top of everyone’s list.” One day Schulhof and his wife, Paola, were being driven by Schneider to see a house for sale on Further Lane when on the way they passed an old French mansard house of white brick on Egypt Lane, near the ocean. Schulhof pointed out the house and said, “That’s exactly the kind of house I want.” Allan remembered that the house had only recently been sold, and he picked up his car phone and called the new owners on the spot. “Look,” he said, “I know you just moved in, but if you sell my client the house, I’ll sell you something else you’ll like better, and you’ll make several hundred thousand dollars’ profit.” Twenty minutes later Schulhof had his house and Schneider had a six-figure commission.

  It was also Schneider’s agency that sold the house that nearly bankrupted the entire town of Southampton, Barry Trupin’s hideous Dragon’s Head, for $2.3 million, a feat they said couldn’t be done for half that amount. Despite the legend that it was Truman Capote who convinced CBS chairman William Paley to buy twenty-five acres of oceanfront land on Peters Pond Lane as a gift for the Nature Conservancy, it was actually Schneider who came up with the idea. Years later Paley’s estate sold the property instead of bequeathing it as a gift. And when Jackie Onassis’s sister, Princess Lee Radziwill, married the film director Herb Ross, and the pair decided to leave Southampton for the artier, more show-biz East Hampton, they turned to Allan Schneider. He not only sold the Rosses an oceanfront “cottage” on Highway Behind the Pond for $6.2 million but flipped Radziwill’s old Southampton house to magazine publisher Frances Lear for $2.5 million.

  Perhaps Schneider’s greatest pride and joy was West End Road, his “street of dreams” in East Hampton. He took great pleasure in driving important clients to this narrow street in his gray Mercedes sedan and boasting, “I sold every house on this road at least one time.” The road is less than a mile in length and is perhaps the most exclusive strip of property in the Hamptons. It is unusual not only because it is a dead end but because it funnels into a narrow promontory that separates the ocean from Georgica Pond. The houses on the south side of the street stand high above the dunes in fields of saw grass. Those across the road have an unparalleled view of the shimmering, halcyon Georgica Cove to the north, its far shore dotted with sprawling mansions and timbered boathouses.

  “They used to call this the ‘Trippe Strip,’” Schneider explained, a hint of a British accent sometimes seeping into his voice, “because the ‘anchor’ of the twenty or so houses on this road used to be the one owned by Juan Trippe, the founder of Pan American Airlines and a president of the Maidstone Club. Calvin Klein is in there now, and it’s no longer the anchor. I guess you could say the first one on the right that I sold to the director Steven Spielberg is the anchor.”

  Schneider was gesturing to an unprepossessing white gate wide enough for only one car to squeeze by. A small placard stuck in the ground said, QUELLE BARN. Tall bushes hid from view anything other than a dark gravel drive. “It doesn’t look like much from the outside,” Schneider said, “but it’s the only house in the Hamptons that was ever guarded by a crack team of retired Mossad, the Israeli secret service.”

  Without a doubt, not only is Spielberg’s house the most important on the block, but the film director is probably the jewel in the crown of the Hamptons’ hierarchy of celebrity. In the Hamptons there is ne plus ultra than Spielberg and his wife, “Katie,” actress Kate Capshaw. He is a reluctant potentate, in residence only during the summer months and even then rarely seen in public. In fact, he is loathe to have his presence in the Hamptons publicized at all (even though he has twice invited the cameras of Architectural Digest beyond his gate and protective shrubbery), seeing the place as a sacred refuge.

  The Spielbergs live in pristine white buildings of classic geometric shapes—one, a massive square barn attached to a huge circular silo; another, a long, low rectangle—all sheathed in rows of cedar shingles stained milky gray. At the highest point of the main building is a weather vane in the silhouette of a Tyrannosaurus rex, a homage not only to Jurassic Park but to Spielberg’s abiding interest in dinosaurs. The guest house has a spine of glass skylights and three separate master bedroom suites. Since this is a child-friendly estate, each suite has its own adjoining dormitory room, designed in a ship’s-captain theme, furnished with four built-in bunk beds. The artifacts of family life are everywhere: games and toys, easels and paints, musical instruments and myriad computers or state-of-the-art electronic equipment. A giant-sized TV screen disappears out of sight into the floor of the guest barn at the push of a button, so as not to detract from the beautiful views. On the walls are pieces of expensive American folk art or framed drawings and paintings by the Spielbergs’ favorite artists—their children and their children’s friends, making up an art gallery that is changed and edited with the care of the Metropolitan Museum of Art. Although the main building was originally decorated by Steve Ross’s widow, Courtney, the newer buildings were decorated in similar Arts and Crafts style by Naomi Leff, a Manhattan decorator who also did the Spielbergs’ Los Angeles home.

  Steven Spielberg is a California boy who came to visit the Hamptons for the first time one summer twenty years ago to see his best friend and mentor, Steve Ross, the man who melded Time Inc. with Warner Communications Inc. into the largest media empire of the time. Ross lived for years on West End Road and practically insisted that Spielberg be his next-door neighbor. It wasn’t hard; Spielberg paid one visit to the Hamptons and, like so many before him, caught Hamptons land lust. In 1983 Ross was tipped off by Allan Schneider that the widow who owned the three-acre property next door was thinking about selling, and one weekend when Spielberg was visiting, the two friends walked over and rang the woman’s doorbell. They introduced themselves (“This man is Steven Spielberg,” Ross is reported to have said to the startled lady) and told the woman that if she wanted to sell her house, Mr. Spielberg would be happy to buy it. “Within a week,” Allan Schneider said, “they had a deal for one point two five million dollars—a steal.” Spielberg reportedly didn’t even lay out the money. Ross negotiated the price for him, Warner Communications fronted the money, and Spielberg reimbursed the company later.

  While Gwathmey was busy renovating the barn, Spielberg was too busy to come out to the Hamptons and check on the progress, so Ross would sneak next door every week or so, check it out himself, and then call up Spielberg. “Don’t tell Gwathmey I told you this,” he would say, “but I think the windows are too small.” The next thing Ross and Spielberg did together was to secure as much abutting property as they could get their hands on. Word spread among the neighbors that if they wanted to sell, Ross and Spielberg were collecting property like a moat. They even bought a huge chunk of farmland clear across Georgica Cove so nobody would build an ugly house in the distance and block their sunset.

  Just across from Quelle Barn, through a time warp 100 years into the past, stands a primly painted white and blue-gray Gothic mansion with a small portico and an exquisit
e English garden. This is the mist-shrouded Grey Gardens, now the home of former Washington Post editor Ben Bradlee and his wife, writer Sally Quinn. The house gained infamy years before when it was the home of Edith Bouvier Beale, the paternal aunt of Jacqueline Kennedy Onassis, and her daughter, Edie. “Big Edie” and “Little Edie,” as they were known, could have had a life as promising as the rest of their family, but Mr. Beale died young and left them to live in the big house by the ocean. By the mid-seventies, the two women had become charmingly eccentric. By then a spinsterish sixty, Little Edie wore Jackie’s designer hand-me-downs—upside down; she was several sizes larger than her svelte cousin and had to wear the skirts with the Chanel hemlines bunched around her waist. Big Edie never left her bed on the second floor, which was littered with garbage, and the two women lived in the house with twenty-eight cats, no litter box, and a raccoon that was fed a steady diet of white bread.

  The house had been built by Mrs. Stanhope Phillips in 1908 and later was occupied by Anna Gilman Hill, an internationally famous horticulturist who built the high concrete walls surrounding the gardens, to break the ocean wind. Within this courtyard she planted all pale flowers, gentle blues and grays that played against the frequent mists and gave the house its melancholy name. Under the Beales’ neglect, the gardens had become a tick-infested thicket of vines and brambles, in the midst of which stood the rusted carcass of a 1937 Cadillac that once belonged to Mr. Beale and had great sentimental value to Little Edie.

  The town hated the eyesore at Grey Gardens and when an oil burner repairman tipped off the fire safety officials that the burner was unsafe, the town seized on the opportunity to decide it wasn’t humane to allow these eccentrics to live not only in filth but with a dangerous oil heater, and one October day the East Hampton police, the Suffolk County Health Department, and the ASPCA raided the house with a search warrant. They burst in with a photographer and reporter in tow and took pictures of what they called “evidence,” including mounds of raccoon excrement. Mrs. Beale, thinking she was being robbed by stickup men, became hysterical as she was photographed in her bed. “It was a raid,” Little Edie complained to the local paper, calling it the work of a “mean, nasty Republican town.” She said her mother thought it was the “most disgusting, atrocious thing ever to happen in America.”